The Irish Myths and Yeats’s Poetry
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Abstract |
Ireland abounds in narrative stories, including mythologies, sagas, legends and
folktales, handed down through many generations from the ancient pagan period. In
Ireland, especially in the western country Sligo where W. B. Yeats spent the better
part of his early days, one cannot go far without hearing the mystic stories of
pagan gods, nymphs and ghosts. The Irish are very proud of their unique and
traditional Celtic culture and they still believe that the supernatural beings haunt
everywhere and intervene in their human affairs.
Yeats was educated in England and greatly influenced by many English writers
and poets. Yeats, however, born with Celtic spirit and encouraged by the patriot
John O’Leary, determined to be a national poet. Therefore, he began to write his
early romantic narratives and dramatic verses based on the ancient Irish myths and
legends, following the two brilliant predecessors Samuel Ferguson and William
Allingham. Besides, what is more important than anything else, he usually put his
own life and his unrequited love for Maud Gonne by modifying their themes and
symbols into the ancient stories. Thus he succeeded in creating utterly new myths
much familiar not only to the Irish today but also to the modern people abroad.
Hence he was a renowned myth-maker and -modifier of the age. |
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Keywords :
- Maud Gonne,
- poetic religion,
- private mythology,
- Samuel Ferguson,
- The Wanderings of Oisin,
- The Shadowy Waters,
- multiple personality,
- myth-maker,
- union after death,
- 모드 곤,
- 시적 종교,
- 개인신화,
- 새뮤얼 퍼거슨,
- 『어쉰의 방랑』,
- 『환영의 바다』,
- 『복합적 인격』,
- 신화창조자,
- 사후결합,
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