“The man who suffers and the mind which creates”: Arthur Hallam, W. B. Yeats, T. S. Eliot, and “genuine inspiration” |
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Reading a Romantic Yeats, in Comparison with Wordsworth and Keats |
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Yeats’s The Cat and the Moon and the Minnaloushe Song: The Role of the Poem “The Cat and the Moon” in the Play |
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Digging Up “Digging,” “Waterfall”: Reading Heaney’s Early Poetry in Death of a Naturalist |
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The Reason Yeats Chose “Under Ben Bulben” as His Resting Place |
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Yeats, Nietzsche, and Heraclitus: A Study of Desire and Creativity |
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A Search for New-styled Poems: from Sweeney Astray to Station Island |
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Reading Yeats’s “The Lake Isle of Innisfree”: The Aesthetics of an Integrated Structure. |
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Tradition, Memory and Representation: A Reading of Seamus Heaney’s Early Poetry |
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Daniel Albright’s Panaesthetics: A Breakthrough for Comparative Studies in Literature, Painting, Music |
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